Marlene is not your typical non-fiction celebrity portrait—and really, how could it be when your "star" refuses to appear on-camera? Dietrich herself admits that "Documentary is a thing that connects the voices that are talking," so what happens when that seemingly crucial connection is severed? Schell uses this disjunction between sound and image to explore the star persona of "Diectrich" to see what, if anything, it reveals of the "real" Dietrich that she so desperately tried to hide from the camera.
Read my full review of Marlene here at The L Magazine.
Late to the party: Max Fischer & Nicholas Angel
3 weeks ago