What is remarkable about Hong’s directorial style is its directness. In this digital age, where the influence of technology over movies is so controversial, Hong seems to speak to a different sensibility. His style is sparse: that compositions seem natural seems to be the most important thing. What one notices in Woman on the Beach is a lack of stylized lighting, obvious color schemes, extreme high or low camera angles, fast cutting and special effects. Hong favors an unobtrusive camera, using long-takes to best capture the relaxed performances of his actors, with light zooming or panning in order to re-frame the action or pay particularly close attention to an actor...
Read my full review of Hong Sang-Soo's Woman on the Beach here at Coupe Cinema.
Late to the party: Max Fischer & Nicholas Angel
1 month ago