A minimalist explosion of aesthetic and political rage, there's never been anything quite like Chantal Akerman's Jeanne Dielman, 23, qui du Commerce, 1080 Bruxelles (1975) either before or since. At first glance the film, new on a Criterion DVD, may resemble a fusion of Rainer Werner Fassbinder and Michael Fengler's Why Does Herr R. Run Amok? (1970) and John Cassavetes' A Woman Under the Influence (1974), the former a timebomb of middle-class ennui and the latter an expression of gender-binding anxiety in the suburbs. It's true, Jeanne Dielman hits these marks, but the 25-year-old director takes these themes to a radical, transcendent extreme...
Read my full review of Jeanne Dielman, 23, qui du Commerce, 1080 Bruxelles here at The L Magazine.
Late to the party: Max Fischer & Nicholas Angel
3 weeks ago