When we first meet Texas Guinan in The Gun Woman – a character nameless except for the moniker “The Tigress” – she is outside of her saloon at night, lingering half in the shadows, lighting her cigarette. Pre-Dietrich and pre-Noir, Guinan has femme fatale written over every inch of her body — yet this was made in 1918, and it is a Western. The cinematic predecessors that influenced film noir (namely German Expressionist and American hardboiled literature, both of the 1920s) were years away from being developed. Yet there she is, a deadly, dangerous woman, lurking in the darkest corners of the Old West – our lady Tex, “The Gun Woman” herself.
Cullen Gallagher is a Brooklyn-based writer, musician, and curator whose work has appeared in The Los Angeles Review of Books, The Life Sentence, Moving Image Source, Bright Lights Film Journal, Beat to a Pulp, NoirCon, Crimefactory, Film Comment, The L Magazine, The Brooklyn Rail, Fandor, Not Coming to a Theater Near You, Hammer to Nail, Spinetingler, Between Lavas, Reverse Shot, and Guitar Review. He records instrumental music as Modern Silent Cinema and plays in the hardcore band Night Squad.