Monday, August 17, 2009

Dazzle (2009)

Watching Dazzle, I couldn’t help but thinking of the song “At the Window of Vulnerability.” Most of the (in)action occur by a window; not only does it look out over an Amsterdam street and a river, it also acts as a screen through which a young woman (Georgina Verbaan) projects her own anxiety and guilt. We never see her engage in the world around her, which seems to be one of her biggest problems. Throughout the film, she talks on the phone to a complete stranger (Rutger Hauer), retelling to him the various events she has seen through the window, such as a junkie masturbating in the street or a mouse that commits suicide by leaping into the river. She sees desperation, but is not moved to enact any change herself; contrarily, the open spectacle of need inflicts upon her a great guilt, which she feels is unwarranted. Unable to cope, she reaches out to the stranger on the phone, a doctor in Buenos Aires, who is confronting his own doubts about his profession and his life...

Read my full review of Dazzle here at The L Magazine.

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