"Perhaps only the person seated at the piano is privy to such an intimate look at the dance of the piano keys, and perhaps even he isn’t allowed as bare and stripped-down an examination as Portabella has filmed. Creating exciting, new contexts for Bach’s work is at the heart of The Silence Before Bach: not so much reinvigorating the music, but placing it in unfamiliar territory so as to emphasize its deep and varied nuances."
Read my entire review of The Silence Before Bach online here at Not Coming Soon To a Theater Near You.
Late to the party: Max Fischer & Nicholas Angel
2 months ago