A special case needs to be made for James Whale. Though not exactly forgotten—a pair of genre-defining horror masterpieces (Frankenstein and The Invisible Man) and two satires (The Old Dark House and Bride of Frankenstein) have kept him in circulation—he is certainly misremembered. Instead of the easily definable horror-auteur that history would prefer, Whale was an artist of many mediums (theater, cinema, painting, drawing), genres and sensibilities, but the unavailability of the majority of his body of work, either in theatrical revivals or on home video, has prevented audiences from fully understanding him. Encompassing the full range of Whale's style, from gothic to modern and screwball to macabre, Film Forum's 16-film retrospective will do much to restore the director's lopsided legacy.
Notes for the End of the World
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