As if to emphasize Sita’s relevancy for modern viewers, Paley interweaves into the narrative a contemporary story of a young woman whose boyfriend moves to India for work (just as Rama left to go hunting). Only instead of waiting behind, this woman packs her bags and moves to India of her own will. The ensuing domestic discontent becomes a counter-point to the original story, and offers a potential answer to the question of, “What does an ancient story like Sita’s have to do with today’s world?” Paley’s charming response confirms that the past can have quite a bit to say about the present.
Read my full review of Sita Sings the Blues online here at The L Magazine.
Notes for the End of the World
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