"Olivier Assayas’ Boarding Gate, a corporate-corruption-neo-noir, could be imagined as Michael Clayton with a sexy, drug smuggling femme fatale in the lead role. But that would be overly emphasizing the corporate context of the story – an aspect that even the protagonist, Sandra, doesn’t fully comprehend at the film’s end – and denying the visceral desolation and emotional malaise that lies at the film’s core."
Read my full review of Olivier Assayas' Boarding Gate online here at Not Coming To a Theater Near You.
Late to the party: Max Fischer & Nicholas Angel
2 months ago