"One can see a predilection for fringe characters throughout Schroeder’s career: More, with 1960s counterculture; General Idi Amin Dada, about the infamous Ugandan dictator; and Barfly, based on the writings of skid row’s poet laureate Charles Bukowski. Schroeder doesn’t necessarily align himself with his subjects, nor does he exploit or malign them. Instead, he is fascinated by the performance and construction of extreme individualism."
Read my full review of Terror's Advocate here at The L Magazine online.
Notes for the End of the World
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