"Hong’s distinctive blend of comedy and drama never sinks to the conventions of either genre, striking an ambiguous and ironic chord somewhere in between the two. Awkward silences speak louder than words in Hong’s films, as though the characters are never quite sure what to say or what they want out of life. When they do speak it is always the wrong thing, and when they decide what they want they are always wrong: self-delusion and uncertainty haunt Hong’s characters like an unwanted epithet."
Click here to read my entire review of Turning Gate at The L Magazine online.
Notes for the End of the World
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