"Informed by 1950s Communist-paranoia/ science-fiction classics such as Invasion of the Body Snatchers, director Andrew Currie similarly wants Fido to be seen as a political allegory. But for all the contemporary touchstones (countless references to “fences,” xenophobia, and even a John Kerry look-alike), it rarely moves beyond an experiment in genre cross-pollination."
Read my review of "Fido" here at The L Magazine online.
Late to the party: Max Fischer & Nicholas Angel
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